Waiting

Waiting is anchored in stillness and anticipation — built for scenes that stretch time: lonely hallways, unanswered texts, restless nights. It’s not about what happens next — it’s about the space before.

CINEMATIC • TENSION • DRAMA • ONE-STOP

What makes ASC good for me?

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    Each volume is curated by mood, tone, and scene

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    100% original — no clearance headaches

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    Rich textures — real instruments and outboard gear

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    Human touch — no AI generated music

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    Flexible licensing — indie to network-level projects

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    Industry-grade quality across all volumes

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    Designed with editors and directors in mind

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    Individual stems available for all tracks

Where stories build tension.

gear list

Instrumental & intentional.

Analog rack gear used in ASC recording process

Recorded Instruments:

  • Yamaha U1 upright piano

  • 1971 Rhodes electric piano

  • Korg MS-20 modular synthesizer

  • UDO Super 6 analog-hybrid synthesizer

  • Fender American Electric P Bass

Additional Instruments:

  • Additional instruments from various VST manufacturers including: Arturia, Spectrasonics, and Native Instruments.

  • Drum one-shots and loops from various sources.

Microphones:

  • UAD SP-1 for the piano

  • UAD SD-1 for the vocals

Preamps

  • Neve 1073LB

  • UAD 4-710

  • UAD LA-610 Mk II

Dynamics:

  • Chandler Limited TG Opto Compressor

  • Warm Audio WA-2A

  • Warm Audio WA76

  • SSL G Bus Compressor

EQs:

  • Pultec EQP 500X

  • Warm Audio EQP-WA

Additional Processing

  • Rupert Neve Designs 542 Tape Emulator

Every track is delivered in 24-bit / 48 kHz WAV format, meeting industry standards for sync.

still have questions?

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